Puccini: Madama Butterfly

Puccini: Madama Butterfly

composed by Giacomo Puccini, 1858-1924; conducted by Paul Popescu; produced by Stefan Bonea; performed by Emil Gherman, Stefan Popescu, Mihaela Agachi, Eduard Tumageanian, Eugenia Moldoveanu, Mircea Moisa, Ioan Soanea, Alexandru Kopeczi and Corina Circa, Philharmonic Orchestra of Satu Mare and Chorus of Cluj-Napoca (Musical Concepts, 1996), 2 hours 12 mins

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Details

Field of Interest
Classical Music
Composer
Giacomo Puccini, 1858-1924
Conductor
Paul Popescu
Content Type
Music recording
Duration
2 hours 12 mins
Recording Engineer
Ion Bamea
Ensemble
Philharmonic Orchestra of Satu Mare, Chorus of Cluj-Napoca
Format
Audio
Sub Genre
Opera
Label
Musical Concepts
Performer
Emil Gherman, Stefan Popescu, Mihaela Agachi, Eduard Tumageanian, Eugenia Moldoveanu, Mircea Moisa, Ioan Soanea, Alexandru Kopeczi, Corina Circa
Producer
Stefan Bonea
Date Recorded
1979
Release Date
1996
Review
EMI's 1955 recording of Madama Butterfly features three of the brightest stars of the era, Maria Callas, Nicolai Gedda, and Herbert von Karajan. Callas hadn't yet sung {%Cio-Cio-San} on-stage when she made this recording, but she fully inhabits the role and brings penetrating insight to it. She's completely convincing as an adolescent, a remarkable feat in this role, which requires a voice of considerable heft. Callas beautifully captures {%Butterfly}'s vulnerability and sensitivity with an astonishingly youthful-sounding vocal freshness, and she's compellingly poignant as {%Butterfly}'s dilemma becomes clear to her. The only caveat about her performance is the intonation and purity of her sustained notes above the staff; several of them are painfully strident. Gedda is thoroughly caddish as {%Pinkerton}, and he sings with passion, but his voice shows some strain in the upper register.

Mario Borriello is a resonant, compassionate {%Sharpless}, and Lucia Danieli sings with warmth and security as {%Suzuki}. Karajan, leading the Chorus and Orchestra of La Scala, has a sure grasp of the score's dramatic contour and makes this a highly charged reading. The orchestral playing is of the highest order. The recorded sound is clear and balance is good, but it shows its vintage; it's somewhat cramped and lacks depth. ~ Stephen Eddins, All Music Guide
Subject
Classical Music, Music & Performing Arts, Romantic, Romanticismo, Romantica
Keywords and Translated Subjects
Romanticismo, Romantica

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